Leonardo (Leo) Occhipinti lives in El Bolsón, Andean Region of the 42nd Parallel in Argentina. An artist, illustrator and comic creator, he has shared his comic strips, “Synchronicities” (“Sincronias” en Español) and “New World” (“Nuevo Mundo”), with Sol del Valle and Sopris Sun readers for close to four years.
This interview has been edited for clarity and length.
When did you realize art was part of your life?
Always. Ever since I was very young, art was my refuge. I was a pretty introverted kid, and art was always my safe place. As the years went by, I came to understand that I was an artist, even though I often heard people say, “No, that’s not a good path for you.” Even so, I kept going because it was something that came from within me.
What led you to make art your profession?
At first, I studied graphic design because it seemed like a more serious or conventional option. Later, I realized that art is also something serious, and that I am an artist.
Where did the “Synchronicities” and “New World” comics you share with Sol del Valle come from?
“Synchronicities” was the starting point for this entire universe. Its main character is Wari, a boy who discovers a mysterious place that serves as an analogy for both the imaginary world and our inner world. I like each reader to interpret the story through their own experiences. In a way, the key that opens all those doors is art.
It’s also a tribute to my grandmother. Right around the time I began creating “Synchronicities,” she transcended, and the comic became a way to honor everything she inspired in me as a child.
Why did you choose an inspirational tone instead of a comedic one?
Argentina has incredible comic artists. For example, Quino, the creator of “Mafalda,” is a true genius. I felt that humor was already in very good hands. I didn’t want to do the same thing or repeat what had already been done. I wanted to take it a step further and bring the creativity that I know I have.
How do you create the “New World” comics? Do you work digitally or traditionally?
I start with pencil and paper, then use pen, India ink and watercolors. After that, I scan the artwork and add the title. Paper has a memory in its own way. Tearing a piece of paper, feeling its texture and working directly on it is part of the experience.
I also like my work to exist as a physical object, something that can eventually be exhibited. Many times I make mistakes or the paper gets stained, and I leave it that way. I like people to see the human side of the process.